Let's play "name that Dance tune"

I've started to get a few dances under my belt, which means I always want to play "name that dance" every time any song comes on.  My friends are quite patient with me and haven't busted my chops too hard for playing a quiz game nobody else can play.  Or wants to.  Or even wants to watch me play by myself...  One friend encourages me and actually asks questions occasionally - if he's not careful he's going to end up in a dance class...

Of course, when I say "a few dances", I mean it.  Nearly everything sounds like a cha-cha (which I don't even dance at all, really, but it's a very versatile and common rhythm), or an east coast swing, or a salsa or a rumba.  Except the waltzes, of course.  Anyway, I definitely need more breadth of dances.  Of course, I really want to get a lot better at the dances I actually do dance.  More lessons! 

One of the instructors mentioned how useful cha-cha was with rock and pop songs, and I started hearing that (and couldn't stop...). I'm also loving Jitterbug and east coast swing - I come closer to getting out of my head with those than any other dance, so I'm hearing those a lot too.  Cha-cha and East Coast swing cover a similar range of tempos and both have a triple step in them, so a lot of the time I hear both.  Sometimes I think of East coast swing as a pair of Siamese cha-cha twins joined in the middle.  That probably is a 100% private joke...  As well as politically incorrect.

For me, the distinction between a cha cha and and East coast swing comes down to feel - the more latin a song feels, the more likely it is to be cha-cha; if  it's got a straight-ahead rock swing it feels like East coast swing.  My current examples are "Moves like Jagger" by Maroon 5 is a cha cha, and "My Body" by Young the Giant feels more like an East Coast Swing. Lots of songs feel like they might be either one. Of course, if it REALLY swings (and it's a bit slower), now we're talking foxtrot.  But you don't hear many of those out in the world,  or at least I don't.  Maybe I ought to hang out with the hipsters, they appreciate Sinatra, right?

Salsa and rumba overlap a lot in tempo too, I'm somewhat surprised to notice how fast a rumba can get and still fit.  The classic rumbas are "And I love her" by the Beatles, or "Stand by me" by Ben E King, but I just heard "I kissed a girl" by Katy Perry and it seemed like I could rumba to it (though I did not rumba around the restaurant and test it out...)  But most of the overlap here, for me, is tempo.  In rhythm, syncopation, and feel, songs are either rumbas or salsas.   "black horse and cherry  tree" by KT Tunstall is playing right now, and it feels much more like a salsa than a rumba.

OK, they followed that up with "Party Rock Anthem" by LMFAO which reminds me that all house and techno everywhere ends up being a merengue.  Probably not the most appropriate dance, but it's the dance I know.  Every Day I'm Shufflin'.

Day of Dance competition (Updated)

On Feb 25th I went to the Lovelace Hospital "Day of Dance" - A Health Fair and Celebrity Dance competition, like "Dancing with the Stars" (which I haven't seen - should I?)

Anyway, Local Dance Studios volunteered to work with local celebrities and put together a dance routine, and Saturday was the show and competition.  There was also social dancing, and a health fair.

The official results, and my brief reactions:

Third Place: 
Will Carr of KOAT TV with Patti Smith of CSP Dance Studio - Viennese Waltz.  Very enjoyable and inspiring, I'll have much more to say about this shortly...

Second Place: Elias Gallegos, Fox TV and Charity Toya, Arthur Murray.  East Coast Swing.  Elias is a good looking and fit young man, and that doesn't hurt.  He has a very athletic style, and definitely got the "Elvis Leg and Hips" going well (after some effort, apparently).  The only thing I saw was they seemed slightly out of sync at times, but if I could pull off the performance they did, I'd be thrilled.

First Place: Heather Mills, KOB TV and Chip Hindi, Enchantment Dancing - Cha Cha. Heather apparently has some dance background, and it showed, both in her performance and her degree of comfort on stage.  I see why the judges gave them the highest scores, Heather was clearly having fun, and to my eye she got a lot of details right, her poise, body position, "spotting" her head during spins (I think I'm getting that term right).  Really a very beautiful dance.

Now lets talk about what I found inspiring personally.

Marissa Torres KOB TV and Joe Moncada, CSP Dance Studios  Cha Cha.  Marissa and Joe went first, which has got to be intimidating as hell.  I think it also affected their score, unfortunately.  I saw a few bobbles, and I'm sure there were mistakes I'm not experienced enough to even see, but it was certainly a performance that both dancers could be proud of.  The scoring from the judges put them down in the pack, but it seemed to me that the average scoring crept up significantly over the course of the competition, which was unfortunate for Marissa and Joe.  Near the end one of the judges said something about wishing one could go back and give more points to earlier couples and I think this is the couple that the judge had in mind.  Judging has got to be a hard job, and I don't fault the judges, they're on the spot and don't have the luxury I do of several days to think about it.

But here's the important thing to me.  Early in the routine, Marissa looked very nervous and apprehensive.  Excited, and happy to be there, but just not sure how it would turn out.  And partway through the dance I saw her just let that go, and laugh to herself, and just abandon herself to the dance.  That was very inspiring.


The same apprehension, joy and abandon were on display with another couple - Annette Lindeman of Lovelace hospital with Randy Piatt, the Dance Studio
Fear and enthusiasm and excitement.  This was the single most impressive performance to me because Annette went from a mix of major anticipation and apprehension to total abandon and joy.  This is a very human drama, and that drama is what having non-professional dancers out there is all about.  I don't have words to express how humbled and happy and inspired this made me feel.

That's also one of the things I loved so much about Will Carr's performance.  He wasn't a perfect dancer, but it was a performance to be proud of on purely technical grounds.  And he showed and overcame some apprehension, and visibly had fun doing it, though more subtly than Marissa or Annette.  But Viennese Waltz?  Man, that takes some stones.  I don't even attempt the Viennese waltz in the security of the dance studio (and when I do, I'm just a roadblock for the good dancers).  Will Carr, apparently with no dance background, goes out there and dances one of the fastest, most technical and most challenging dances possible.  Will and Patti took a big, big gamble, and must have worked their butts off, and it paid off.

The other thing I admire about the risk Will and Patti took is that a lot of the audience probably didn't even know how hard it was.  In my total noob opinion, there are a lot of dances (Swing, Salsa, Rumba, Cha Cha, my favorite, the Jitterbug) that are much easier to get a handle on from a standing start than Viennese Waltz, and few or none harder.  Maybe Tango?

The Judges knew this, and the teachers knew this, but a lot of the audience probably did not.  I wouldn't have known if I hadn't taken lessons and been exposed to really good dancers doing a Viennese Waltz.  I love Waltz (music and the dance), and I made the mistake of thinking "wow, that looks like a very wonderful flowing, fun waltz, let's try it", followed shortly by "I've got a blowout - damper three...  Pitch is out, I can't hold altitude....   She's breaking up, she's breaking...."  Until you've crashed and burned on the dance floor, you don't know how risky the Viennese Waltz can be.  It just looks smooth and flowing and fast, it doesn't look difficult and dangerous.  But it is.


UPDATE:  Chip Hindi of Enchantment thoughtfully reminds me that his partner, Dawn Davide not only met the same challenge as the other performers, but did so with a broken arm, still in a cast.  Once he reminded me, I do remember that fact being mentioned at the time, and I remember that it looked like they were having a lot of fun swing dancing together.  I didn't mention the broken arm because I barely saw it and literally failed to remember it.  Dawn pulled off the performance so well that I literally didn't notice.  Once again, as I learn more, I'm just more impressed.  Thanks Chip.

UPDATE:  In a very kind email from Patti Smith of CSP, she points out that even the judges may not have appreciated the degree of difficulty that the Viennese Waltz represents.  She's certainly right that that was an assumption, and if it was inaccurate, I apologize.  I shouldn't assume that everyone understands this difference.  If you'd like to learn more about the difficulty of the Viennese Waltz, I strongly recommend this page at dancing4beginners.com which has video that shows the difference much better than I can describe it.  Thanks Patti.



Links:

Lovelace Hospital Day of Dance:
Performers:
Lovelace's YouTube Channel, includes several years' worth of video: 


Dance Studios:

Enchantment Dancing
Arthur Murray
CSP Dance Studios
The Dance Studio


News stories:

A Longer look at our KOB dancing stars
2012 Day of Dance
Join our Heather Mills and Marissa Torres for a 'Day of Dance' 
Lovelace 'Day of Dance' Feb 26

Ballroom Dancing

Waltz vs Viennese Waltz (incl. Video):  - highly recommended!

Music you can dance to (Part 2 - Latin)

As I began exploring in part one, learning to dance is making me approach music from a new direction - What dance is this? For a band nerd that's used to being behind the music stand, this is a new and fun thing.

This time I'll explore Latin dances and rhythms. I've always enjoyed Latin music, particularly where it crossed over into Big Band - Bossa Nova, etc (there's that Band Nerd thing again), but I ended up not listening to it all that much. I'm beginning to suspect that what I needed was a context, specifically, a context of dance. I'm getting one.


Tango - another favorite dance, and one that also has music distinctive and dramatic enough for me to recognize easily. I love that passion and the sexuality of this dance, and seeing "Scent of a Woman" didn't hurt one bit, either. I'm not sure I'll end up with a rose in my teeth at any point, but so far, I'm having fun with Tango and looking forward to more. Of course, this dance, more than any other, sacrifices my social goals for total passion. The only people I'm going to meet tangoing are going to be people in the tango club, and it's not something you just go out and do. In the US, it's a niche dance. Oh well, Art for art's sake, I suppose. Tango tunes: Nothing that's ever been played on Pop Radio in North America that I can remember or imagine (see? There's that niche thing again!), but the other night I danced a Tango to a piece with Lyrics in German, but I don't know the name of it. Funky. The Internet claims you can tango to "Roxanne" by The Police And "I'm Gonna Be (500 Miles)" by The Proclaimers, but they both feel like they're a big stretch to me... What do I know.... The whole POINT of tango music is dancing to it - since I haven't danced, is it any wonder I don't know any Tango tunes?? Edit - "Whatever Lola Wants (Lola Gets) by Sarah Vaughan" is a tango.


Rumba - One of the many uses of the box step, I think of this as the slow, sexy end of the Latin dance continuum. But there's a lot of Rumba music out there that you've heard, and a lot of it doesn't sound Latin to me - "And I love her" and "In My Life" - The Beatles (which have a bit of a latin feel), and "With or Without You" - U2, "You've got A Friend" - James Taylor, "Stand By Me" - Ben E King, "One of These Nights" - The Eagles, "Let's Stay Together" - Al Green. The large menu of musical choices and the obvious social possibilities of a slow dance make it a serious contender for the Dance short list.

Salsa - We've spent some time on this in class, in fact this is probably the dance I'm farthest along in - which is not that far! I've gotten the footwork options in my head pretty clearly, and we worked on a cross-body lead and spin combo in group class last week, which I almost got, need to drill it another 1000 times or so... The social possibilities of Salsa are quite good in New Mexico (maybe elsewhere too, I dunno...), and the music is a hoot, even if not much of it is stuff that I ever listened to on the radio (this is probably mostly a comment on my pedestrian musical tastes, rather than on availability). Salsa is all about the clave. Salsa tunes I've heard of (maybe you have too) are "Livin' La Vida Loca" - Ricky Martin, "Mambo #5" - Lou Bega and "Tequila" - Champs. Interesting (to me anyway) that Salsa beats seem not to have been adopted as widely in Pop music as Rumba rhythms, but Salsa keeps that Latin Fire even on the "crossover" hits, where as Rumba sneaks in and pretends to be pop. And as far as the dance, this is one of the more fun and energetic dances out there - I definitely get why so many people end up wanting to dance Salsa - it's fun even to watch.

Merengue - This is the first Latin musical style that I was able to distinguish from Salsa once I started dancing and it became important to pay attention. Salsa tends to be 4/4, and the characteristic Clave rhythm makes it swing, where Merengue is (or feels) much more 2/4 and more straight ahead, and it has less swing, more urgency. Merengue as a dance is so easy, even
a caveman
I can do it - we've spent maybe an hour on it, and the footwork is locked for me, and as far as I can tell, it's so straightforward that you can pretty much do anything at any time - which doesn't mean *I* can pull it off yet, it just means I'm not having to ask myself "Is this the right time for a spin? (or any other move)" With Merengue, the answer is always "Yes, it's a fine time!". This Dance feels like something you only spend a few hours learning, after that you just need practice. Lots and Lots of practice. Salsa, Rumba, Foxtrot, Tango all get basically fractally complex very fast, where as Merengue at least starts out as basic and regular as a brick wall (which doesn't mean you can't build tall and complex dances on top of a Merengue, clearly). "Hot Hot Hot" by Buster Poindexter is a Merengue, but my favorite surprise Merengue tune is "(Nothing but) Flowers" by the Talking Heads.

Bachata - Initially I had a hard time telling a Bachata tune from a Salsa (maybe I still do, let me know!), but thanks to Amazon.com, I ordered a few CD's to listen to, and I think I've got it. Bachata is slowest, Salsa is Medium, and Merengues tend to be faster. In Salsa, the Clave is the signature percussion element; whereas Bachatas tend to have (or feel) the slow, classic guiro scrape. The other characteristic of a bachata (to my Wikipedia-informed ear, at least) is that the lyrics tend to be forlorn and heartbroken. I have vanishingly little spanish, but I can hear it in the melody and delivery - understanding the lyrics is apparently optional. I've only spent about 20 minutes with the bachata as a dance, so far, but all I can say is: Hip bump. The only song I can think of that feels like a bachata to me is "Guantanamamera" (particularly the slower versions), but that's a Cuban classic, and Bachata hails from the Dominican Republic, so I'm not confident of that. (Edit - the more I think of this, the more I doubt it. Maybe a Rumba???)

Cha Cha - I've spent very little time on this in dance class, and not a lot of listening time, but to me Cha Cha music feels like Bachata's faster cousin. I often hear the same Guiro figure as Bachata, but, well, faster - though the Cha Cha Guiro can get a lot more complex, as well. The other difference from Bachata music is that there are a bunch of cha cha's you've heard, most of them feel pretty Latin, but there are a few surprises..
Oye Como Va - Santana
Smooth - Santana/Rob Thomas
All I Wanna Do - Sheryl Crow
Soak up the Sun - Sheryl Crow
Barbie Girl - Aqua
Cantaloop (Flip Fantasia) - Us3
Guantanamera - Los Lobos (this version is a little faster, feels like a slowish Cha Cha to me....)
Walkin' on the Sun - Smash Mouth
Short Skirt / Long Jacket - Cake
Spill the Wine - Eric Burdon & War - (This one feels like it's got one foot in the Cha Cha camp, and the other in Bachata...)


So that's my take on Latin music you can dance to. I'm sure I'm off base with a lot of this, please chime in, the point of all this is to help me figure this stuff out...