Let's play "name that Dance tune"

I've started to get a few dances under my belt, which means I always want to play "name that dance" every time any song comes on.  My friends are quite patient with me and haven't busted my chops too hard for playing a quiz game nobody else can play.  Or wants to.  Or even wants to watch me play by myself...  One friend encourages me and actually asks questions occasionally - if he's not careful he's going to end up in a dance class...

Of course, when I say "a few dances", I mean it.  Nearly everything sounds like a cha-cha (which I don't even dance at all, really, but it's a very versatile and common rhythm), or an east coast swing, or a salsa or a rumba.  Except the waltzes, of course.  Anyway, I definitely need more breadth of dances.  Of course, I really want to get a lot better at the dances I actually do dance.  More lessons! 

One of the instructors mentioned how useful cha-cha was with rock and pop songs, and I started hearing that (and couldn't stop...). I'm also loving Jitterbug and east coast swing - I come closer to getting out of my head with those than any other dance, so I'm hearing those a lot too.  Cha-cha and East Coast swing cover a similar range of tempos and both have a triple step in them, so a lot of the time I hear both.  Sometimes I think of East coast swing as a pair of Siamese cha-cha twins joined in the middle.  That probably is a 100% private joke...  As well as politically incorrect.

For me, the distinction between a cha cha and and East coast swing comes down to feel - the more latin a song feels, the more likely it is to be cha-cha; if  it's got a straight-ahead rock swing it feels like East coast swing.  My current examples are "Moves like Jagger" by Maroon 5 is a cha cha, and "My Body" by Young the Giant feels more like an East Coast Swing. Lots of songs feel like they might be either one. Of course, if it REALLY swings (and it's a bit slower), now we're talking foxtrot.  But you don't hear many of those out in the world,  or at least I don't.  Maybe I ought to hang out with the hipsters, they appreciate Sinatra, right?

Salsa and rumba overlap a lot in tempo too, I'm somewhat surprised to notice how fast a rumba can get and still fit.  The classic rumbas are "And I love her" by the Beatles, or "Stand by me" by Ben E King, but I just heard "I kissed a girl" by Katy Perry and it seemed like I could rumba to it (though I did not rumba around the restaurant and test it out...)  But most of the overlap here, for me, is tempo.  In rhythm, syncopation, and feel, songs are either rumbas or salsas.   "black horse and cherry  tree" by KT Tunstall is playing right now, and it feels much more like a salsa than a rumba.

OK, they followed that up with "Party Rock Anthem" by LMFAO which reminds me that all house and techno everywhere ends up being a merengue.  Probably not the most appropriate dance, but it's the dance I know.  Every Day I'm Shufflin'.

Turkish Rumba

I went to a Rumba group class taught by the young Turk recently.  He's a piece of work - he started at the studio after I did, but he was dedicated, focused and single minded (I'm generally... not so much), and now he's an instructor.  He's clearly a natural athlete (which I am not - more about that later) and a natural or very learned performer (also, me, not).  Don't get me wrong, he put in the time and worked his ass off and deserves it.  He's also a good teacher.  Lots of natural athletes can do it right after seeing it a few times, but can't break it down, analyze and articulate it, and talk about it to a nerdy, all-up-in-my-head learner like me.  Lest you think I have a crush on him, I'll just mention he talks really really fast.  Maybe he's talking as fast as he learned.  I kept waiting for my brain to catch up with his words.  Not even the concepts or an understanding, just the words.... 

It was an intense class - we definitely got our money's worth. He expects you to learn fast too.  He covered a fairly long series in a single class.  I felt like I was a little behind and never quite catching up all class, but I never felt like I'd completely lost sight of him.  As soon as I started feeling like the footwork was coming along he was talking about frame and leading and using the floor and cuban motion.  But if we started thinking about that too much and lost the basic footwork, he dropped all that, declared it optional, and hit the basics again.  Intimidating, but we really did cover a lot of ground.

I also took a class on "dancing with emotion" that he taught.  He says it's a class he finds challenging to teach, and it's incredibly challenging to learn, for me personally.  I'm usually up in my head and thinking about footwork, leading, frame, floorcraft, and a million other things.  I've gotten feedback on my dancing that uses words like "distant" and "platonic", and I was not dancing with my sister at the time.  I have a very easy time getting up in my head and a very hard time getting in my body.  And an even harder time getting out and making a connection with my dance partner.  Having a million details that want to be in my head and aren't automatic in my body doesn't help.  The only thing that's automatic is beat, and I still manage to get onto the wrong foot and have to restart that once in a while.  But all this is between me and my partner.  There have been a couple of exceptions, but...

The Turk used Rumba which he characterized, wonderfully, as "the pillow talk dance", and Argentine tango.  The point of the Argentine tango, I think, was to free us from the straightjacket of rhythm, and let us move and feel, feel and move.  Of course, for me, rhythm isn't a straightjacket, it's a comfy tee shirt I wear all the time.  On the other hand, the rhythm in my body is definitely something I lean on, and not having to think about rhythm isn't sufficient to get me out making a connection with my partner.  Maybe knocking away that crutch was helpful.

Of course, I've had no Argentine tango, so for the most part it was just a new set of footwork for me to distract/occupy/obsess myself with.  Not good for connecting to my partner.  But that's me, I'd have found another excuse not to connect.

And connecting with a partner is very much the point, and the challenge for me.  If she's not there and real and human, and I'm not aware of her body, I can't lead, I can't respond to where she's at, I can't guide and protect and display her as I should, and desire. And we're both missing most of the fun.

Not to mention, connecting with my partner is the point in other, deeper ways.

Waltz, Rumba and Salsa lesson notes

Tonight I had a private lesson, we worked on Rumba, Waltz and Salsa. Some of this was review, but a little new stuff. This post is mostly just my lesson notes - Converting this stuff into words helps me remember it, but probably keeps me too much up in my head. So if lesson notes sounds like an uninteresting post, you'll want to click ahead.

Waltz:
We worked on Promenade. I've done Promenade in Tango, where it is similar, and, frankly, trickier. I need to remember to elongate my frame, and I think I'm opening my hips too much in promenade. The hesitation during promenade felt very natural, but then I'm a slave to the beat.

We also did an open break - underarm turn combination. Aaaarg, the critical details are already fading!! Let's see, 1st half of a normal box then sidestep? is that right? Then back rock step Left, and lead the turn, back rock step Right, (turning...) then another hesitation before we're off to the waltzes again. I'm starting to love the hesitations in the waltz, they're subtly dramatic and they're what makes it human and to me they add so much to the flow of the dance. Without the hesitations, it could be done by clockwork dancers (which I probably resemble, but not for long....)

Salsa:
We reviewed cross body lead, and I needed the review, I wanted to start it on 3 (back step), but it needs to be set up on 2, otherwise my partner can't feel it coming. We also did a double face loop, I tend to hang on too long, in which case I tend to turn my body out, but that's not the end of the world, it's a decent set up for a cross body lead. I think getting into the Right-over-Left handshake hold to start this all is probably my biggest problem right now.

We also reviewed coaster action, which I was fine with, but I had a surprisingly hard time knowing what to do with my right foot after my left foot comes up. I need a thousand reps, as usual.

Rumba:
We also did an open break, underarm turn combo, Teach is obviously building on the Waltz lesson. I need practice rolling my left hand from the closed grip to the low open grip. And I think I am often too high with my Right arm - Teach very insightfully helped me understand that if our arms aren't nice and straight, I can't provide a strong lead. I'm starting to get my lead together on the "close the door" finale to this combination (the same motion also completes the cross body lead), and I love the way that feels when I'm leading it confidently.


The DanceEvangelista has drafted me into a little dance competition on Saturday. I'm the token noob on her team, and we're going to do a Jitterbug. I'm pushing my comfort level here, Though I'm decent at Jitterbug for all my noobness, if I do say so myself. But I'm nervous about the spotlight. Making mistakes in the middle of a crowd of other people who are all working through their own dance issues is one thing. All eyes on me and no other distractions is intimidating.

Music you can dance to (Part 2 - Latin)

As I began exploring in part one, learning to dance is making me approach music from a new direction - What dance is this? For a band nerd that's used to being behind the music stand, this is a new and fun thing.

This time I'll explore Latin dances and rhythms. I've always enjoyed Latin music, particularly where it crossed over into Big Band - Bossa Nova, etc (there's that Band Nerd thing again), but I ended up not listening to it all that much. I'm beginning to suspect that what I needed was a context, specifically, a context of dance. I'm getting one.


Tango - another favorite dance, and one that also has music distinctive and dramatic enough for me to recognize easily. I love that passion and the sexuality of this dance, and seeing "Scent of a Woman" didn't hurt one bit, either. I'm not sure I'll end up with a rose in my teeth at any point, but so far, I'm having fun with Tango and looking forward to more. Of course, this dance, more than any other, sacrifices my social goals for total passion. The only people I'm going to meet tangoing are going to be people in the tango club, and it's not something you just go out and do. In the US, it's a niche dance. Oh well, Art for art's sake, I suppose. Tango tunes: Nothing that's ever been played on Pop Radio in North America that I can remember or imagine (see? There's that niche thing again!), but the other night I danced a Tango to a piece with Lyrics in German, but I don't know the name of it. Funky. The Internet claims you can tango to "Roxanne" by The Police And "I'm Gonna Be (500 Miles)" by The Proclaimers, but they both feel like they're a big stretch to me... What do I know.... The whole POINT of tango music is dancing to it - since I haven't danced, is it any wonder I don't know any Tango tunes?? Edit - "Whatever Lola Wants (Lola Gets) by Sarah Vaughan" is a tango.


Rumba - One of the many uses of the box step, I think of this as the slow, sexy end of the Latin dance continuum. But there's a lot of Rumba music out there that you've heard, and a lot of it doesn't sound Latin to me - "And I love her" and "In My Life" - The Beatles (which have a bit of a latin feel), and "With or Without You" - U2, "You've got A Friend" - James Taylor, "Stand By Me" - Ben E King, "One of These Nights" - The Eagles, "Let's Stay Together" - Al Green. The large menu of musical choices and the obvious social possibilities of a slow dance make it a serious contender for the Dance short list.

Salsa - We've spent some time on this in class, in fact this is probably the dance I'm farthest along in - which is not that far! I've gotten the footwork options in my head pretty clearly, and we worked on a cross-body lead and spin combo in group class last week, which I almost got, need to drill it another 1000 times or so... The social possibilities of Salsa are quite good in New Mexico (maybe elsewhere too, I dunno...), and the music is a hoot, even if not much of it is stuff that I ever listened to on the radio (this is probably mostly a comment on my pedestrian musical tastes, rather than on availability). Salsa is all about the clave. Salsa tunes I've heard of (maybe you have too) are "Livin' La Vida Loca" - Ricky Martin, "Mambo #5" - Lou Bega and "Tequila" - Champs. Interesting (to me anyway) that Salsa beats seem not to have been adopted as widely in Pop music as Rumba rhythms, but Salsa keeps that Latin Fire even on the "crossover" hits, where as Rumba sneaks in and pretends to be pop. And as far as the dance, this is one of the more fun and energetic dances out there - I definitely get why so many people end up wanting to dance Salsa - it's fun even to watch.

Merengue - This is the first Latin musical style that I was able to distinguish from Salsa once I started dancing and it became important to pay attention. Salsa tends to be 4/4, and the characteristic Clave rhythm makes it swing, where Merengue is (or feels) much more 2/4 and more straight ahead, and it has less swing, more urgency. Merengue as a dance is so easy, even
a caveman
I can do it - we've spent maybe an hour on it, and the footwork is locked for me, and as far as I can tell, it's so straightforward that you can pretty much do anything at any time - which doesn't mean *I* can pull it off yet, it just means I'm not having to ask myself "Is this the right time for a spin? (or any other move)" With Merengue, the answer is always "Yes, it's a fine time!". This Dance feels like something you only spend a few hours learning, after that you just need practice. Lots and Lots of practice. Salsa, Rumba, Foxtrot, Tango all get basically fractally complex very fast, where as Merengue at least starts out as basic and regular as a brick wall (which doesn't mean you can't build tall and complex dances on top of a Merengue, clearly). "Hot Hot Hot" by Buster Poindexter is a Merengue, but my favorite surprise Merengue tune is "(Nothing but) Flowers" by the Talking Heads.

Bachata - Initially I had a hard time telling a Bachata tune from a Salsa (maybe I still do, let me know!), but thanks to Amazon.com, I ordered a few CD's to listen to, and I think I've got it. Bachata is slowest, Salsa is Medium, and Merengues tend to be faster. In Salsa, the Clave is the signature percussion element; whereas Bachatas tend to have (or feel) the slow, classic guiro scrape. The other characteristic of a bachata (to my Wikipedia-informed ear, at least) is that the lyrics tend to be forlorn and heartbroken. I have vanishingly little spanish, but I can hear it in the melody and delivery - understanding the lyrics is apparently optional. I've only spent about 20 minutes with the bachata as a dance, so far, but all I can say is: Hip bump. The only song I can think of that feels like a bachata to me is "Guantanamamera" (particularly the slower versions), but that's a Cuban classic, and Bachata hails from the Dominican Republic, so I'm not confident of that. (Edit - the more I think of this, the more I doubt it. Maybe a Rumba???)

Cha Cha - I've spent very little time on this in dance class, and not a lot of listening time, but to me Cha Cha music feels like Bachata's faster cousin. I often hear the same Guiro figure as Bachata, but, well, faster - though the Cha Cha Guiro can get a lot more complex, as well. The other difference from Bachata music is that there are a bunch of cha cha's you've heard, most of them feel pretty Latin, but there are a few surprises..
Oye Como Va - Santana
Smooth - Santana/Rob Thomas
All I Wanna Do - Sheryl Crow
Soak up the Sun - Sheryl Crow
Barbie Girl - Aqua
Cantaloop (Flip Fantasia) - Us3
Guantanamera - Los Lobos (this version is a little faster, feels like a slowish Cha Cha to me....)
Walkin' on the Sun - Smash Mouth
Short Skirt / Long Jacket - Cake
Spill the Wine - Eric Burdon & War - (This one feels like it's got one foot in the Cha Cha camp, and the other in Bachata...)


So that's my take on Latin music you can dance to. I'm sure I'm off base with a lot of this, please chime in, the point of all this is to help me figure this stuff out...